The rough-and-tumble British acoustic unit Band of Holy Joy formed in the New Cross area of London in 1984. Led by singer Johny Brown, the group -- which also included trombonist Adrian Bailey, drummer Bill Lewington, keyboardist/banjoist Big John, violinist Karel Van Bergen, accordionist Alf Thomas and double-bassist Mark Cavener -- created a uniquely English urban folk sound, free of guitars, which brought frequent comparisions to their Irish counterparts the Pogues; while steeped in the grit and grime of London street life, Brown's songs were uplifting and optimistic, a call-to-arms against the oppressions of Thatcherism.Upon signing to the small indie label Flim Flam, the Band of Holy Joy debuted in 1986 with the EP The Big Ship Sails, followed in 1987 by the full-length More Tales From the City. The group signed to Rough Trade for 1988's "Tactless" single; the next year's Manic, Magic, Majestic won widespread critical acclaim, but the commercial breakthrough projected for 1990's Positively Spooked -- an LP backed by a promotional tour of the U.S.S.R. -- never materialized. The 1991 collapse of Rough Trade further derailed the group's momentum, and 1992's Tracksuit Vendetta -- recorded as simply Holy Joy -- quickly disappeared from sight; after a final single, "It's Lovebite City," the group disbanded in 1993. Brown later became a freelance journalist, and in 1995 he and Bill Lewington formed Superdrug.
Jason Ankeny, All Music Guide
As ever, the manic-depressive Holy Joy sing tales of love, drink, and loss. Unlike the claustrophobic feel of the previous albums, Positively Spooked is far more optimistic, something the band attributed to touring the former Soviet republics. Written in the so-called second Summer of Love, songs such as "Real Beauty Passed Through" and "Evening World Holiday Show," whilst not exactly rave music, reflect the upbeat dance culture of the time. The "up" mood of the album is best reflected by "Freda Cunningham," where the happy-go-lucky heroine is revealed to be the same tragic single mother in the single Rosemary Smith. According to the NME, Positively Spooked contains the greatest Band of Holy Joy song, "Bitten Lips" -- a song dedicated to Kay Kent, the deceased Marilyn Monroe lookalike. Although the distorted fairground element is still prevalent, a definite dance element is apparent, or as the song says, "Look Who's Changed With the Times."
Jason Ankeny, All Music Guide
As ever, the manic-depressive Holy Joy sing tales of love, drink, and loss. Unlike the claustrophobic feel of the previous albums, Positively Spooked is far more optimistic, something the band attributed to touring the former Soviet republics. Written in the so-called second Summer of Love, songs such as "Real Beauty Passed Through" and "Evening World Holiday Show," whilst not exactly rave music, reflect the upbeat dance culture of the time. The "up" mood of the album is best reflected by "Freda Cunningham," where the happy-go-lucky heroine is revealed to be the same tragic single mother in the single Rosemary Smith. According to the NME, Positively Spooked contains the greatest Band of Holy Joy song, "Bitten Lips" -- a song dedicated to Kay Kent, the deceased Marilyn Monroe lookalike. Although the distorted fairground element is still prevalent, a definite dance element is apparent, or as the song says, "Look Who's Changed With the Times."
Christian Smillie, All Music Guide
Someone told me that there's a problem with track 11. Here it is. LINK
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